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Some plugin’s sole function is to emulate one, or a few, very specific sounds, whereas others, such as Massive or Omnisphere, can be used to create and manipulate sounds on an almost unimaginable scale.
#Fm8 vs sytrus software
The world of virtual software instruments is an incredibly complex, far reaching landscape, from near-identical iconic vintage synthesizers to futuristic, endlessly versatile programs, and everything in between. People have suggested Omnisphere but they don’t sell a demo version and there are no in-person demo’s near me.Which are the best VST plugins for beginners? What I’ll probably do is just buy a Sytrus VST to use while I research other options. And I’d also like a good physical modeling synthesis module, but that’s probably pie-in-the-sky. For example, I’d like to replace some of those oscillators with samples. (that matrix scares everyone off, but it’s amazingly powerful if you master it)īut I want to take it to another level. I’ve had pretty good results with Sytrus because it has 6 separate oscillators where the waveforms can be hand-designed to create any harmonic structure, and each oscillator has a complete set of controls, envelopes and other settings, and then all of these can be combined with more filters and effects in a big matrix. I’m looking for a synth that allows me to create any arbitrary sound from scratch. If we use the synthesizers of the past we’ll make the sounds of the past. I’m not that great a pianist, and I don’t have the room acoustics or mics to properly record the Kawai.Īs I explained in the thread - I don’t understand why everyone has made such a fetish over reproducing the sounds of the classic synthesizers of the past such as the DX7, Arp, Korg M1, etc, etc. I have a Kawai grand here at home, but it’s a lot easier and more reliable for me to use Grandeur. I understand the concern about sympathetic vibration. Just one more thing I’d like to add: you posted a question about best VSTi pianos, and I would like to mention that NI Komplete comes with a lot of digitally sampled pianos. I had done a piece where I used almost all FM-8 patches just for fun. If I understand correctly, the DX-7 was digital inside, so I have been convinced that FM-8 is just as good. (My son still has the DX-7 which he uses as a mid controller). I used to have a DX-7 but I found it easier to use FM-8 because it was all within the computer. You probably already know, but you can find lots of DX-7 patches on the web, including all the original patches. It has all of the editable parameters of the DX-7 built into it, and it can run DX-7 patches. I have Native Instruments Komplete, and FM-8 comes with it. So there’s virtually no sound you can’t make. If you know your physics, you know that means that you have complete control of the harmonic structure, And you don’t just get one of those, you get 6 of them. The other thing that’s great about Sytrus is that each oscillator (“operator”) allows you to hand-draw the waveform from scratch if you want. I like how you can take a bank of separate oscillators give each one of them its own unique waveform and harmonic structure and a zillion other parameters, and then interact these as operators on each other and with separate filters and effects through its modulation Matrix. For example, last year I was studying Japanese pentatonic scales so I decided I needed a koto for some music I was composing for a video, so I built one in Sytrus. I don’t have a particular “kind” of sound I need to make I want a powerful flexible tool I can use to make whatever sound I need from scratch.