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“I think it shows he’s someone who is plugged into the pop culture in a huge way.”Įminem scoffs at charges his music is harmful for his fans. “The single is blowin’ up with our audience,” says Kevin Weatherly, program director at Los Angeles alt-rock radio station KROQ-FM (106.7). Dre 2001" with helping push that collection past the 4 million sales mark in six months.Įminem’s new video and spectacularly catchy single, both titled “The Real Slim Shady,” are taking off like fireworks at a KISS concert. Many industry observers credit his presence on Dr. At a time when repeat commercial success is increasingly difficult in the pop world, Eminem is still heating up. Yet, clearly, Eminem connects with today’s young rap and rock audience.
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For the most part, Eminem’s tales are fictional and farcical-not approved codes of conduct. This nothing’s-sacred mix of sex and violence in the age of Columbine has lots of parents asking: What kind of madman is this? Shortly after the first album’s release, the editor of Billboard, the nation’s most influential record trade publication, denounced the disc as “making money by exploiting the world’s misery.”īut music critics generally have sided with Eminem and his fans, saying that the music is part of the rap and rock tradition of youthful independence and rebellion that has stretched from the sex ‘n’ drugs escapades of the Rolling Stones to the gallows humor of Alice Cooper. In one song, his alter ego, Slim Shady, murders his wife and brings their infant daughter along while he disposes of the body-all set against a seductive hip-hop beat. But Rosenberg’s character is still nervous.Įminem’s records mix the bratty humor of “South Park” with the violent imagery of films such as “Pulp Fiction,” all delivered in a high-pitched, rapid-fire nasal delivery that is sure to grate further on parents’ nerves. This time, you’ll hear Rosenberg say on the answering machine-well, Eminem asks that the skit be off the record so that fans don’t read about album contents before they hear them. In the studio, Eminem wants Rosenberg to make another cameo on the new album, which is titled “The Marshall Mathers LP” and is due May 23. and turn Eminem into a major player in the crowded world of rap. Its outrage and defiance helped “Slim Shady” sell more than 3 million copies in the U.S. The sequence is funny because it’s clear from the language and subject matter on the rest of the album that Eminem didn’t tone anything down. Can you tone it down a little bit? There’s only so much I can explain. “I listened to the rough copy of the album and. ,” he says on the record, speaking into an answering machine. Paul Rosenberg, a burly 28-year-old, is known to Eminem fans from the humorous skit “Paul” on the rapper’s 1999 major-label debut album, “The Slim Shady LP.” Rosenberg plays a nervous attorney who pleads with Eminem to tone down some of the album’s foulmouthed, sex- and violence-laced content. “Where’s Paul?” he shouts, sending aides scurrying in search of his manager, who has a touch of the flu and is resting somewhere in the sprawling Sherman Oaks recording complex.